Guru Gobind Singh's opening composition of the Dasam Granth: 199 chhands, close to 950 names for the Divine, and the second bani of the Sikh morning.
Jaap Sahib is the composition of Guru Gobind Singh that opens the Dasam Granth, running to 199 chhands and addressing the Divine through close to 950 names and attributes. It is recited second in the Sikh morning, immediately after Japji Sahib, and it is one of the five banis recited at the Amrit Sanchar. Despite the similar name it is a separate composition from Japji Sahib, by a different Guru, in a different volume, and in a different language.
| Composed by | Guru Gobind Singh (1666–1708), the tenth Guru |
|---|---|
| Where it sits | The Dasam Granth, which it opens |
| Structure | 199 chhands grouped into sections, each headed by the name of its poetic meter. No raag heading, so recited rather than sung |
| When recited | Amrit Vela, the hours before dawn, immediately after Japji Sahib |
| How long | Commonly 20 to 30 minutes, set entirely by the reciter's pace |
| In Nitnem | The second morning bani in every Sikh tradition, and one of the five banis of the Amrit Sanchar |
Guru Gobind Singh composed Jaap Sahib at Paonta Sahib, where he kept a working court of poets and scholars through the mid 1680s while still in his late teens. The bani opens the Dasam Granth, and at 199 chhands it is longer than the Japji Sahib it follows each morning.
The method is the striking part. Jaap Sahib does not build an argument; it names. Close to 950 names and epithets accumulate across the 199 stanzas, and a large share of them work by negation, describing the Divine as without form, without caste, without lineage, without enemy, beyond time and beyond dress. The effect of the accumulation is to defeat any single image a reciter might settle on.
The vocabulary is deliberately mixed. Sanskrit, Braj Bhasha, Arabic and Persian words sit inside the same stanza, and the choice carries an argument of its own: a Divine that belongs to no one language belongs to no one community either. It is one reason the bani reads as difficult on a first encounter and is usually learned slowly, over years.
Each section carries the name of its prosodic meter as a heading, and the meter governs the pace. Bhujang Prayat moves in a long serpentine line, while Chaachri and Charpat are clipped and hammering, which is why a reciter's speed changes noticeably from section to section rather than holding steady. Guru Gobind Singh placed Jaap Sahib among the five banis recited at the founding of the Khalsa in 1699, and it has been recited at every Amrit Sanchar since.
The two are routinely confused because of the names. They share no author, volume or language.
| Bani | Composed by | Where it sits | Length |
|---|---|---|---|
| Japji Sahib | Guru Nanak, the first Guru | Guru Granth Sahib, angs 1 to 8 | 38 pauris with an opening and closing salok |
| Jaap Sahib | Guru Gobind Singh, the tenth Guru | The Dasam Granth, which it opens | 199 chhands across several meters |
Recited at the Khalsa initiation. Jaap Sahib is the second of them.
| Bani | Composed by | Source |
|---|---|---|
| Japji Sahib | Guru Nanak | Guru Granth Sahib, angs 1–8 |
| Jaap Sahib | Guru Gobind Singh | Dasam Granth |
| Tav-Prasad Savaiye | Guru Gobind Singh | Dasam Granth, Akal Ustat 21–30 |
| Chaupai Sahib | Guru Gobind Singh | Dasam Granth, Charitropakhyan 405 |
| Anand Sahib | Guru Amar Das | Guru Granth Sahib, Raag Ramkali |
Jaap Sahib's own standing in Sikh practice is settled. Sikhs recite it every morning across traditions, the SGPC names it in its own Rehat Maryada, and it is recited at every Amrit Sanchar. What is disputed is the wider volume it opens. The compilation of the Dasam Granth and the authorship of some of its sections have been argued over within the Panth since the nineteenth century, at times sharply, and the argument has never been settled by any body all Sikhs recognise. A page presenting the question as closed in either direction is choosing a side rather than reporting one.
Sevahey does not perform paths. No Sevak recites Jaap Sahib for you, and this page carries no text, transliteration or recording of the bani. For the words, read the Dasam Granth or use your gurudwara's own resource. What Sevahey arranges is an ardas at a gurudwara, which is a different thing and described below.
Jaap Sahib belongs to the reciter, and the 199 chhands are learned over years rather than delegated. No tradition treats the bani as something one person keeps for another. An ardas is built the opposite way: the granthi stands before the Guru Granth Sahib and speaks your name, your gotra and your request aloud, so it is a prayer that works precisely for someone who is not in the room. Families ask for one at an Amrit Sanchar in the household, at a birth, before a journey, and on a death anniversary.
Jaap Sahib is the composition of Guru Gobind Singh that opens the Dasam Granth, running to 199 chhands and addressing the Divine through close to 950 names and attributes. It is recited second in the Sikh morning after Japji Sahib, and it is one of the five banis recited at the Amrit Sanchar.
Japji Sahib and Jaap Sahib share nothing but a similar name. Japji Sahib was composed by Guru Nanak and occupies angs 1 to 8 of the Guru Granth Sahib in 38 pauris. Jaap Sahib was composed by Guru Gobind Singh, opens the Dasam Granth, and runs to 199 chhands in a mix of Sanskrit, Braj, Arabic and Persian vocabulary. Both are recited in the morning, Japji Sahib first and Jaap Sahib second.
One hundred and ninety-nine. They are grouped into sections, and each section is headed with the name of the poetic meter it uses, including Bhujang Prayat, Chaachri and Charpat. The meter governs the pace, so a reciter's speed changes noticeably between sections rather than holding steady across the bani.
Guru Gobind Singh (1666 to 1708), the tenth Guru. The bani is generally dated to the mid 1680s at Paonta Sahib, where the Guru kept a working court of poets and scholars while still in his late teens. Jaap Sahib opens the Dasam Granth rather than appearing in the Guru Granth Sahib.
Commonly 20 to 30 minutes, which makes it longer than the Japji Sahib recited before it. No tradition prescribes a pace, and the time varies with whether a person is reading or reciting from memory, and with how the shifting meters are handled.
Because the mixing carries the argument. Sanskrit, Braj Bhasha, Arabic and Persian vocabulary appear inside the same stanza of Jaap Sahib, and the effect is to describe a Divine that belongs to no single language and therefore to no single community. The same intent runs through the bani's heavy use of negation, naming the Divine as without form, without caste and beyond time.
Yes. Jaap Sahib is the second of the five banis recited at the Khalsa initiation, alongside Japji Sahib composed by Guru Nanak, Anand Sahib composed by Guru Amar Das, and Tav-Prasad Savaiye and Chaupai Sahib composed by Guru Gobind Singh. It has been recited at every Amrit Sanchar since the founding of the Khalsa in 1699.
Recited. Jaap Sahib carries no raag heading, so it sits outside the musical arrangement that governs most of the Guru Granth Sahib, and a devotee can keep it without any musical training. Its rhythm comes instead from the poetic meters named at the head of each section.
The compilation of the Dasam Granth and the authorship of parts of it have been debated within the Panth since the nineteenth century, and no body all Sikhs recognise has settled the question. Jaap Sahib's own position is not what is at issue: it is recited daily across traditions, named in the SGPC Rehat Maryada, and used at every Amrit Sanchar.
No, and no Sikh tradition treats a bani as something performed for another person. Jaap Sahib is a daily discipline the reciter keeps personally. Sevahey does not perform paths and no Sevak recites it for you. What can be offered in your name at a gurudwara is an ardas, in which the granthi speaks your name and your request aloud before the Guru Granth Sahib.
In the Dasam Granth, which Jaap Sahib opens, or through a gurudwara's own resources. Sevahey publishes no scripture text, transliteration or recording, so this page explains the bani rather than carrying it.
Choose the gurudwara, name your sankalp, receive the proof.
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